EP Review : Daniel Rossen

I bloody love Grizzly Bear. What a band they are. Yellow House and Veckatimest are two of the best albums in recent memory, wonderfully layered excursions into chamber pop and just a sheer joy to listen to.

So, when one band member releases a solo record I've really got to take an interest. To be honest, we already know how good Daniel Rossen is away from GB through his work with Department of Eagles, so it's hardly a surprise that his new EP Silent Hour/Golden Mile is really rather brilliant.

I've written about it over at The Line of Best Fit, it might be the finest 20minute passage of music you'll hear this year outside of a full-length album so it really could be worth clicking here to read more.....

Interview : Peter Broderick

I recently spoke to the wonderful Peter Broderick for The Line of Best Fit to discuss his new record http://www.itstartshear.com/ and the concept of an album title that's not just a website address, but acts as hub for everything you need to listen to the album: the music is on there, plus liner notes, stories behind the songs, and further video and audio clips.

It's quite an achievement, an original concept that marries together Peter's constant experimentalism and his still extremely accessible music. This might be my favourite article so far: not for my words as such, but just for the answers Broderick gave to my questions.

So, to read more please click here, or visit the features section at the top of TLOBF....

Live Review: Gotye, Glasgow O2 ABC, 4/3/12

It's been a while since one of these appeared on the pages of 78s Don't Wobble, but last night I got the opportunity to go see Gotye, the UK's current number one no less, and write about it for The Line of Best Fit.

Wally (who you'll remember I interviewed here last November) and the band put on a fine show for the people of Glasgow, and I've got to say it was quite a sight to see him restlessly switch between drums, synths and electronic percussion for over an hour. There were some cracking songs on display, and you can read all about it here.

Apologies to Reverieme: I only caught your last song thanks to a useless box office at the ABC, but if I'd seen more I'd have some words for you in the review.

Album Review : Kevin Tihista's Red Terror

You may not know this, but Kevin Tihista's Red Terror released a wonderful record in 2001 by the name of Don't Breathe A Word. Since then, very little indeed. Until, that it, this month when we find Kevin back with his new album On This Dark Street.

Back in 2001, his work was classed as soft pop and the influences of The Beatles, America, Bread, Bob Dylan etc etc were obvious, but without boring mimicry. This time, he's toned down the electrics but his darkly comic wit is still intact.

You can read more over at The Line of Best Fit or make the jump direct to my review by clicking here!

Album Review : Team Me

Most of the time I find myself drawn to downbeat and depressing music, I can't really say why, but sometimes I do come across a record that's sunny and upbeat and it doesn't want to make me run to the hills. The Flaming Lips are one of my favourite bands, and I'll always have time for the likes of Teenage Fanclub and anything that sounds a bit like The Beach Boys. So, it was with great delight that I realised after listening to the opening two tracks of Team Me's debut full-length To the Treetops! I had another band to add to the happy list - maybe one day it'll balance out....

The band are from Norway (which means we automatically love them over at The Line of Best Fit) and won an award for the best pop album at the country's version of the Grammys, but the important thing is that they make multi-layered,multi-instrument music that has hook upon hook upon hook across its running time.

If you like the sound of that (and you should, it's TLOBF recommended) then click here to read more.....

Album Review : Masaki Batoh

So, to cut a long story short, Masaki Batoh's solo record Brain Pulse Music is music made from brain waves, via a specially commissioned piece of equipment called the BPM. Fuck yeah!

It's a requiem for those affected by 2011's tsunami and earthquake in Japan, and the Ghost frontman adds traditional Japanese instrumentation to the BPM to make a truly unique record, which I've reviewed over at The Line of Best Fit.

So to read more about the construction of the record and how it actually sounds, click along here.

Album Review : Earth

Ah, Earth. I'm always happy when Dylan Carlson's band release a new record. It makes the year complete already. From the skull-crushing drone of Earth 2 to the gospel of The Bees Made Honey in the Lion's Skull, they just don't make bad records. And now they've only gone and dropped a new one on us.

Angels of Darkness, Demons of Light II, is the second album in twelve months and furthers Earth's desert-noir sound by adding some English folk into the mix (subtly, mind you, it's not Fairport Convention) and it's bloody marvellous. So I wrote about it for The Line of Best Fit.

The band might have lost some of their more metal following over the years, but to read about why I think they're more interesting than ever, make the jump!